posted 1 year ago with 59 notes
tagged as: #Charles Chaplin #Modern Times #art #poster #queued post

fuckyeahchaplin:

This lobby card shows the moment Charlie first lays eyes on Edna Purviance  in the Immigrant. Of course, as always, he is immediately smitten
c.1917

fuckyeahchaplin:

This lobby card shows the moment Charlie first lays eyes on Edna Purviance  in the Immigrant. Of course, as always, he is immediately smitten

c.1917


posted 1 year ago with 121 notesvía fuckyeahchaplin
tagged as: #The Immigrant #Charles Chaplin #1917 #queued post

(Source: themovieeditor, via vannuccis)


posted 1 year ago with 56 notesvía themovieeditor
tagged as: #Charles Chaplin

chaplinfortheages:

What the French call him.

chaplinfortheages:

What the French call him.


posted 1 year ago with 65 notesvía chaplinfortheages
tagged as: #art #Charles Chaplin #Charlot

Charlie administering “anesthesia” in Laughing Gas (1914)

Charlie administering “anesthesia” in Laughing Gas (1914)


posted 1 year ago with 19 notes
tagged as: #Charles Chaplin #Laughing Gas #1914 #Charlie Chaplin

chaplininpictures:

Charlie & Edna
Shoulder Arms (1918)

chaplininpictures:

Charlie & Edna

Shoulder Arms (1918)



fuckyeahchaplin:

Charlie in City Lights c.1931
Though categorized as a silent, City Lights is really considered a sound crossover film. While still using intertitles for dialogue, the movie has a synchronized soundtrack,  sound effects and unintelligible noises that match some conversation visuals throughout.

fuckyeahchaplin:

Charlie in City Lights c.1931

Though categorized as a silent, City Lights is really considered a sound crossover film. While still using intertitles for dialogue, the movie has a synchronized soundtrack,  sound effects and unintelligible noises that match some conversation visuals throughout.


posted 1 year ago with 433 notesvía fuckyeahchaplin
tagged as: #Charles Chaplin #City Lights #1931

lobbycards:

The Circus, US lobby card. 1928

lobbycards:

The Circus, US lobby card. 1928


posted 1 year ago with 35 notesvía lobbycards
tagged as: #The Circus #1928 #Charles Chaplin

Charlie and Lloyd Bacon in The Floorwalker (1916)

Charlie and Lloyd Bacon in The Floorwalker (1916)


posted 1 year ago with 52 notes
tagged as: #Charles Chaplin #Lloyd Bacon #The Floorwalker #1916

Charlie Chaplin on the lawn of the Manoir, his topcoat — incorrectly buttoned — protecting him from the cold, 1971.  The eighty-two-year-old Chaplin was preoccupied with keeping warm, as he was fearful he would die that year of bronchial trouble.  He explained to LIFE magazine, “There were three Gypsies in Atlantic City who once told me I would die at eighty-two of bronchial trouble.  It must have been around 1925 and I was with a friend of mine.  It impressed me very greatly at the time because we saw them all in one day and they were not at all connected with one another.  I thought, if anything, they were being too optimistic, that I would never live this long.  Last year, I received a letter from someone that said only ‘Keep warm!’  Of course, I am also one-eighth Gypsy myself.” Photograph by Dimitri Kessel.
Charlie Chaplin on the lawn of the Manoir, his topcoat — incorrectly buttoned — protecting him from the cold, 1971.  The eighty-two-year-old Chaplin was preoccupied with keeping warm, as he was fearful he would die that year of bronchial trouble.  He explained to LIFE magazine, “There were three Gypsies in Atlantic City who once told me I would die at eighty-two of bronchial trouble.  It must have been around 1925 and I was with a friend of mine.  It impressed me very greatly at the time because we saw them all in one day and they were not at all connected with one another.  I thought, if anything, they were being too optimistic, that I would never live this long.  Last year, I received a letter from someone that said only ‘Keep warm!’  Of course, I am also one-eighth Gypsy myself.” Photograph by Dimitri Kessel.


posted 1 year ago with 79 notesvía mattybing1025
tagged as: #Charles Chaplin